Category Archives: Timology

Meet Murgatroyd

I don’t think you have all met Murgatroyd before? She has been with Becky and I for a couple of years now, and we love her very much. Please don’t ask me “Why Murgatroyd?”; it’s just her name, and she likes it.

She is a late 1998 midnight blue Mazda MX5, Mk II.

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When my old car decided to ‘retire’ and enjoy life as a sea container in the South China Seas, I knew I had an opportunity to buy a sports car, and that opportunity would only potentially come round twice in my lifetime, inshallah, and not again ’till the kids have let uni, and I have more grey hairs and bigger paunch. However I don’t exactly have a ‘sports car compatible wallet’… it’s not that it does not fit in the glove box, but that they tend to be quite expensive. Becky was initially skeptical of a car you have to lie on the floor to drive, does not have enough space for her Imelda Marcos memorial shoe collection, and in the wet corners like a giraffe on ice-skates, however I persuaded her to have a test drive. We both instantly fell in love with her, and have enormously enjoyed racing round Britain and beyond with the wind in our hair, and one eye on the rainclouds. While she has a hard top that lives in the garage, that’s not the point, and Murgatroyd gets grumpy every winter when she has to put it on.

For those of you who snigger and say things like “no hairdressing products are kept in this car overnight” you don’t know what you are missing! When new she did 0-60mph in 7.7 seconds, topped out at 127 mph, and packed 140 bhp, and has not lost much of her sprightliness thanks to decent care of her original 1.8 litre beating heart. She was made for Cotswold lanes, Indian summer evenings, and zooming about The Shire, but not for the weekly shop, IKEA flatpack, nor motorways in the rain. Which is fine by me.

But she now has a bigger sister on the market. Mazda have released the all new MX5 Mk4, and what a beast it is. A new one might set you back £18k, but it does 47 mpg, rather than the merger 33 I can (just) get out of Murgatoryd. It is marginally slower, doing 0-62 in 8.3 seconds, but only slightly heavier, and comes spec’ed up to the nines with all sorts of electronic jiggery pokery. I think it’s a shame to lose the distinctive long nose, but love the slightly angry looking front, however, I don’t think I will trade our Murgatroyd just yet.

mazda MK5 Mk 4MX5

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Filed under Technology, Timology

Periodic Table of Gin

Those wonderful people at the London Gin Club have have created the world’s first Periodic table of Gin.

You may recall my adventures with the Periodic table, with both my former supervisor’s reworking of the table, and also an interesting link to St Giles’ Church and the University Museum of the History of Science by way of the life of Henry Moseley. However this is something quite different; detailing over 100 gins, their style, ABV and botanicals.

Gin Periodic Table

You can find out more about the London Gin Club here, and you can buy one of their tables here.

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The Perspiring Dream…

Sometimes I would love to know what goes through the minds of Oxford University’s administrators… and indeed the City Planning Department. I imagine it’s something like this: “I know, we have been building staggeringly beautiful buildings for nigh on a thousand years; let’s have a spate of really ugly ones, just for a change? After all the 1960’s produced some beauties didn’t they?Old Oxford New Oxford

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A Right Royal Mess: The Greek Debt Crisis

Greek Debt

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July 10, 2015 · 11:38 am

The Sound of the Charge of the Light Brigade

Ever wondered what the bugle call would have sounded like during a cavalry charge? (It turns out, this is the place to find out!)

Extraordinarily one of the survivors of the Charge of the Light Brigade, Trumpeter Landfrey, from the 17th Lancers, later made a recording on an Edison cylinder. And its a very special recording; Trumpeter Landfrey sounded the bugle charge at Balaclava in 1854, but the recording (made in August 1890) was made with a bugle which had been used at Waterloo in 1815. You can listen to him, and the recording below. I think it would make a great ringtone or alarm clock!

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The photograph shows the Officers and men of the 13th Light Dragoons, survivors of the charge, photographed by Roger Fenton shortly after the battle.

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The Petrie Museum’s mummy portraits

I have only just trembled up on the fabulous Petrie Museum. Like the Pitt Rivers in Oxford, the Petrie Museum is a university museum, and was set up as a teaching resource for the Department of Egyptian Archaeology and Philology at University College London. I am yet to visit but it is rammed full of interesting artefacts from Egypt and Sudan, over 80,000 objects in total! Amelia Edwards donated her collection of several hundred Egyptian antiquities, many of historical importance. However, the collection grew to international stature in scope and scale thanks mainly to the extraordinary excavating career of the first Edwards Professor, William Flinders Petrie (1853-1942) Petrie excavated literally dozens of major sites in the course of his career, including the Roman Period cemeteries at Hawara, famous for the beautiful mummy portraits in classical Roman style; Amarna, the city of king Akhenaten, sometimes called the first king to believe in one God; and the first true pyramid, at Meydum, where he uncovered some of the earliest evidence for mummification. The collection contains outstanding works of art from Akhenaten’s city at Amarna: colourful tiles, carvings and frescoes, and from many other important Egyptian and Nubian settlements and burial sites. The museum houses the world’s largest collection of Roman period mummy portraits (first to second centuries AD). These painted panels illustrate the application of Greco-Roman art to Egyptian burial customs at the beginning of the first millennium. They appear to be naturalistic in style and be a portrait of an individual, while acting as part of the funerary equipment needed for  entry into the afterlife. The panels would have covered the face of a mummy but most have been cut out of their wrappings and are displayed separately from the physical context in which they were found. When Petrie first exhibited these panels in London in 1889, he framed many like a European art work. I remember seeing something similar recently in India at the Albert Hall Museum in Jaipur, and they are magnificent reminders and depictions of real people… capturing them before mummification preserved them.

Not all panels were removed from their wrappings or mummies. The British Museum and Manchester Museum, for example, display mummies which still have these panels over their face. I am off to have a routle about in the museum as soon as I can get to London! You can come too, and find out more here. I will pop some photos of their collection up once I have been, but here is the sort of thing I hope to find!

Left, Fayum mummy portrait from the late 1st century CE. Walters Art Museum, Baltimore. Right, Mummy portrait of a young woman, 3rd century, The Louvre, Paris.

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Bee Happy

HoneyBee

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June 17, 2015 · 11:35 am

Classical Paintings, Modern Settings

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Filed under Photography, Timology

Menus and Options…

Menus can be difficult things. Sitting in our local pub at the weekend, Becky and I were astounded by the total nonsense they had cluttered their menu with; so many superfluous words, ‘quirky’ descriptions of pub grub staples, and wildly inappropriate (and probably misleading… but we did not actually eat there) terminology for a menu. I like having a good grumble about these things as much as the next boozer bound miserable old codger, but I thought I would do some research into the ‘theory’ of menus. It transpires it is something of a science.

Don’t get me wrong; I am a firm adherent to the school of thought of using many words when one would do nicely, but something about a pie being described as “friendly” gets my hackles up. Nor indeed could a limp lump of chicken, fried to within an inch of its very existence in a greasy pub kitchen in Oxford, best be described as “Authentic”, and please don’t get me started on why burgers have to be served on a stray roof tile or plywood plinth. And breathe.

Anyhow, in a really informative article in New York Magazine, William Poundstone dissects the marketing tricks built into menus—for example, how something as simple as typography can drive you toward or away from that £39 steak, and explains puzzles, anchors, stars, and plowhorses. So now we know. It’s well worth a read, but sadly wont stop your “sun drenched, dressing drizzled, superfood, hand pulled, artisanal, 120% corn fead beef patty” (aka the beef burger) arriving on a Ford Escort’s hubcap, or rusty garden trowel.

trowel plate

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Filed under Oxford: The Perspiring Dream, Timology

The malady of malapropism

A good friend of mine is constantly on the lookout for incorrect grammar and idiotic use of idiom. So much so it has become something of a sport for me to try to squeeze in as many malapropisms as possible during dialogue, sending him into fits of frustration and incandescent rage. It is fun, there is little else to amuse us in Oxford, and I enjoy upsetting his apple tart.

So, if you ride a tantrum bicycle, keep a fire distinguisher handy, always read the destructions, suffer pigments of your imagination, are the very pineapple of politeness, or have spread dysentery among the ranks, you might enjoy this list of common mistakes. It peaked my interest.

intensive porpoise

 

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Filed under Oxford: The Perspiring Dream, Timology